27 lutego 2013
26 lutego 2013
Hank Mobley Straight No Filter (Full Album)
Opublikowano 10 sty 2013
Hank Mobley Straight No Filter 1963, 65 & 66
1. Straight No Filter 5.58
2. Chain Reaction 11.02
3. Soft Impressions 4.48
4. Third Time Around 6.25
5. Hank's Waltz 7.43
6. Syrup and Biscuits 5.36
7. Comin' Back 6.26
8. The Feelin's Good 5.40
9. Yes Indeed 5.34
Tracks 1-3
Hank Mobley - tenor saxophone
Lee Morgan - trumpet
McCoy Tyner - piano
Bob Cranshaw - double bass
Billy Higgins - drums
Tracks 4-5
Hank Mobley - tenor saxophone
Freddie Hubbard - trumpet
Barry Harris - piano
Paul Chambers - double bass
Billy Higgins - drums
Tracks 6-7
Hank Mobley - tenor saxophone
Lee Morgan - trumpet
Andrew Hill - piano
John Ore - double bass
Philly Joe Jones - drums
Tracks 8-9
Hank Mobley - tenor saxophone
Donald Byrd - trumpet
Herbie Hancock - piano
Butch Warren - double bass
Philly Joe Jones - drums
1. Straight No Filter 5.58
2. Chain Reaction 11.02
3. Soft Impressions 4.48
4. Third Time Around 6.25
5. Hank's Waltz 7.43
6. Syrup and Biscuits 5.36
7. Comin' Back 6.26
8. The Feelin's Good 5.40
9. Yes Indeed 5.34
Tracks 1-3
Hank Mobley - tenor saxophone
Lee Morgan - trumpet
McCoy Tyner - piano
Bob Cranshaw - double bass
Billy Higgins - drums
Tracks 4-5
Hank Mobley - tenor saxophone
Freddie Hubbard - trumpet
Barry Harris - piano
Paul Chambers - double bass
Billy Higgins - drums
Tracks 6-7
Hank Mobley - tenor saxophone
Lee Morgan - trumpet
Andrew Hill - piano
John Ore - double bass
Philly Joe Jones - drums
Tracks 8-9
Hank Mobley - tenor saxophone
Donald Byrd - trumpet
Herbie Hancock - piano
Butch Warren - double bass
Philly Joe Jones - drums
Kategoria
Licencja
Standardowa licencja YouTube
Hank Mobley Mobley's Message (Full Album)
Opublikowano 14 sty 2013
Hank Mobley Mobley's Message 1956
1. Bouncing with Bud 7.00
2. 52nd Street Theme 5.43
3. Minor Disturbance 6.16
4. Au Privave 7.34
5. Little Girl Blue 8.44
6. Alternating Current 6.34
Hank Mobley - tenor saxophone
Donald Byrd - trumpet
Barry Harris - piano
Doug Watkins - double bass
Art Taylor - drums
Jackie McLean - alto saxophone (track 4)
1. Bouncing with Bud 7.00
2. 52nd Street Theme 5.43
3. Minor Disturbance 6.16
4. Au Privave 7.34
5. Little Girl Blue 8.44
6. Alternating Current 6.34
Hank Mobley - tenor saxophone
Donald Byrd - trumpet
Barry Harris - piano
Doug Watkins - double bass
Art Taylor - drums
Jackie McLean - alto saxophone (track 4)
Kategoria
Licencja
Standardowa licencja YouTube
Hank Mobley - Workout (Full Album)
Opublikowano 9 kwi 2012
Workout
Uh Huh
Smokin
The Best Things in Life Are Free (Brown, DeSylva, Henderson)
Greasin' Easy
Three Coins in the Fountain (Cahn, Styne)
All compositions by Hank Mobley except as indicated
Recorded at Rudy Van Gelder Studio, Englewood Cliffs, NJ, March 26, 1961
Personnel
Hank Mobley — tenor saxophone
Grant Green — guitar
Wynton Kelly — piano
Paul Chambers — bass
Philly Joe Jones — drums
Studio album by Hank Mobley
Released 1961
Recorded March 26, 1961
Label Blue Note
Producer Alfred Lion
Uh Huh
Smokin
The Best Things in Life Are Free (Brown, DeSylva, Henderson)
Greasin' Easy
Three Coins in the Fountain (Cahn, Styne)
All compositions by Hank Mobley except as indicated
Recorded at Rudy Van Gelder Studio, Englewood Cliffs, NJ, March 26, 1961
Personnel
Hank Mobley — tenor saxophone
Grant Green — guitar
Wynton Kelly — piano
Paul Chambers — bass
Philly Joe Jones — drums
Studio album by Hank Mobley
Released 1961
Recorded March 26, 1961
Label Blue Note
Producer Alfred Lion
Kategoria
Licencja
Standardowa licencja YouTube
22 lutego 2013
Whitney Houston - I Will Always Love You - Lyrics
Przesłano 28 cze 2008
Subscribe Leorah now on Facebook!http://www.facebook.com/pages/Leorah/...
It's I will always love you with lyrics. Thanks for watching. Hope you enjoy. :D
http://mp3svinylrecords.learnguitarso...
It's I will always love you with lyrics. Thanks for watching. Hope you enjoy. :D
http://mp3svinylrecords.learnguitarso...
Kategoria
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Standardowa licencja YouTube
Whitney Houston- one moment in time lyrics
Przesłano 2 lut 2008
Whintey Husdon- one moment in time lyrics
disclaimer: i am not afilliated with any of these companies mentioned in this video. All of the products were purchased by me unless otherwise stated in my video. My opinions are not influenced in anyway the music in the video is not owned by me however a company did not pay me to play it
disclaimer: i am not afilliated with any of these companies mentioned in this video. All of the products were purchased by me unless otherwise stated in my video. My opinions are not influenced in anyway the music in the video is not owned by me however a company did not pay me to play it
Kategoria
Licencja
Standardowa licencja YouTube
John Coltrane The Believer (Full Album)
Opublikowano 20 sie 2012
John Coltrane The Believer 1964
1. The Believer 13.51
2. Nakatini Serenade 11.05
3. Do I Love You Because You're Beautiful ? 5.14
4. Filidia 7.18
5. Paul's Pal 7.13
Tracks 1-3
John Coltrane — tenor saxophone
Red Garland — piano
Paul Chambers — bass
Donald Byrd — trumpet (1-2)
Freddie Hubbard — trumpet (3)
Louis Hayes — drums (1-2)
Art Taylor — drums (3)
Tracks 4-5
John Coltrane — tenor sax
Gil Coggins — piano
Ray Draper — tuba
Spanky DeBrest — bass
Larry Richie — drums
1. The Believer 13.51
2. Nakatini Serenade 11.05
3. Do I Love You Because You're Beautiful ? 5.14
4. Filidia 7.18
5. Paul's Pal 7.13
Tracks 1-3
John Coltrane — tenor saxophone
Red Garland — piano
Paul Chambers — bass
Donald Byrd — trumpet (1-2)
Freddie Hubbard — trumpet (3)
Louis Hayes — drums (1-2)
Art Taylor — drums (3)
Tracks 4-5
John Coltrane — tenor sax
Gil Coggins — piano
Ray Draper — tuba
Spanky DeBrest — bass
Larry Richie — drums
Kategoria
Licencja
Standardowa licencja YouTube
Jazz In Paris: Chet Baker Quartet Plays Standards
Przesłano 23 paź 2011
Chet Baker Quartet - Plays Standards
Chet Baker-trumpet
Gérard Gustin-piano
Jimmy Bond-bass
Bert Dahlander-drums.
Recorded October 24,1955 at the Pathé-Magellan studio,Paris.
01. Chet Baker - Summertime
02. Chet Baker - You Go To My Head
03. Chet Baker - Tenderly
04. Chet Baker - Lover Man
05. Chet Baker - There's A Small Hotel
06. Chet Baker - Autumn In New York
07. Chet Baker - These Foolish Things
08. Chet Baker - I'll Remember April
Chet Baker-trumpet
Gérard Gustin-piano
Jimmy Bond-bass
Bert Dahlander-drums.
Recorded October 24,1955 at the Pathé-Magellan studio,Paris.
01. Chet Baker - Summertime
02. Chet Baker - You Go To My Head
03. Chet Baker - Tenderly
04. Chet Baker - Lover Man
05. Chet Baker - There's A Small Hotel
06. Chet Baker - Autumn In New York
07. Chet Baker - These Foolish Things
08. Chet Baker - I'll Remember April
Kategoria
Licencja
Standardowa licencja YouTube
20 lutego 2013
Buena Vista Social Club Full Album
Opublikowano 10 paź 2012
Buena Vista Social Club fue un club social de La Habana, Cuba, donde sus miembros practicaban actividades relacionadas con el baile y la música, volviéndose un sitio muy popular donde se encontraban y jugaban quienes de él formaban parte.
En los años 1990, casi 50 años después de que el club fue cerrado, inspiró una grabación hecha por el músico cubano Juan de Marcos González y el guitarrista estadounidense Ry Cooder con los tradicionales músicos cubanos, muchos de ellos antiguos miembros del club en el que se presentaron cuando su popularidad estaba en el tope. La grabación, nombrada Buena Vista Social Club, por esa institución de La Habana, se volvió éxito internacional y el grupo se vio alentado a presentarse con su formación completa en Ámsterdam en 1998. El director de cine alemán Wim Wenders grabó la presentación, seguida de un segundo concierto en el Carnegie Hall, de Nueva York, concierto este que fue la cumbre del documental que resultó del trabajo de Wenders. El documental también incluye entrevistas con los músicos llevadas a cabo en La Habana. La película de Wenders, también nombrada Buena Vista Social Club, fue bien aclamada por los críticos, recibiendo una nominación al Óscar de Mejor Documental Largo y numeroso galardones entre los que se incluye Mejor Documental en el European Film Awards.
Tanto el éxito del álbum cuanto el de la película encendieron un interés internacional por la música cubana tradicional y la música latinoamericana en general. Algunos de los músicos cubanos lanzaron después álbumes en solitario que fueron bien acogidos y grabaron otros en colaboración con diversas estrellas de la música internacional de distintos géneros. El nombre "Buena Vista Social Club" se volvió un término abarcativo de este tipo de presentaciones y lanzamientos en colaboración, además de relacionarse a una etiqueta que encapsula la "Edad de Oro de la música Cubana", entre los 1930 y los 1950. El nuevo éxito fue efímero para la mayoría de los reconocidamente miembros del grupo: Compay Segundo, Rubén González e Ibrahim Ferrer, quienes se murieron por la orden a los 95, 84 y 78 años; Segundo y González en 2003 y Ferrer en 2005.
En los años 1990, casi 50 años después de que el club fue cerrado, inspiró una grabación hecha por el músico cubano Juan de Marcos González y el guitarrista estadounidense Ry Cooder con los tradicionales músicos cubanos, muchos de ellos antiguos miembros del club en el que se presentaron cuando su popularidad estaba en el tope. La grabación, nombrada Buena Vista Social Club, por esa institución de La Habana, se volvió éxito internacional y el grupo se vio alentado a presentarse con su formación completa en Ámsterdam en 1998. El director de cine alemán Wim Wenders grabó la presentación, seguida de un segundo concierto en el Carnegie Hall, de Nueva York, concierto este que fue la cumbre del documental que resultó del trabajo de Wenders. El documental también incluye entrevistas con los músicos llevadas a cabo en La Habana. La película de Wenders, también nombrada Buena Vista Social Club, fue bien aclamada por los críticos, recibiendo una nominación al Óscar de Mejor Documental Largo y numeroso galardones entre los que se incluye Mejor Documental en el European Film Awards.
Tanto el éxito del álbum cuanto el de la película encendieron un interés internacional por la música cubana tradicional y la música latinoamericana en general. Algunos de los músicos cubanos lanzaron después álbumes en solitario que fueron bien acogidos y grabaron otros en colaboración con diversas estrellas de la música internacional de distintos géneros. El nombre "Buena Vista Social Club" se volvió un término abarcativo de este tipo de presentaciones y lanzamientos en colaboración, además de relacionarse a una etiqueta que encapsula la "Edad de Oro de la música Cubana", entre los 1930 y los 1950. El nuevo éxito fue efímero para la mayoría de los reconocidamente miembros del grupo: Compay Segundo, Rubén González e Ibrahim Ferrer, quienes se murieron por la orden a los 95, 84 y 78 años; Segundo y González en 2003 y Ferrer en 2005.
Kategoria
Licencja
Standardowa licencja YouTube
19 lutego 2013
Edith Piaf - Non, Je ne regrette rien
Tekst piosenki:
Non, rien de rien
Non, je ne regrette rien
Ni le bien qu'on m'a fait
Ni le mal tout ça m'est bien égal
Non, rien de rien
Non, je ne regrette rien
C'est payé, balayé, oublié
Je me fous du passé
Avec mes souvenirs
J'ai allumé le feu
Mes chagrins, mes plaisirs
Je n'ai plus besoin d'eux
Balayés les amours
Avec leurs trémolos
Balayés pour toujours
Je repars à zéro
Non, rien de rien
Non, je ne regrette rien
Ni le bien, qu'on m'a fait
Ni le mal, tout ça m'est bien égal
Non, rien de rien
Non, je ne regrette rien
Car ma vie, car mes joies
Aujourd'hui, ça commence avec toi!
Quelle
http://www.tekstowo.pl/piosenka,edith_piaf,non__je_ne_regrette_rien_.html
John Lennon - Imagine - Lyrics
Przesłano 3 gru 2011
John Lennon in Imagine! with Lyrics!
Lyrics:
Imagine there's no heaven
It's easy if you try
No hell below us
Above us only sky
Imagine all the people living for today
Imagine there's no countries
It isn't hard to do
Nothing to kill or die for
And no religion too
Imagine all the people living life in peace
You, you may say
I'm a dreamer, but I'm not the only one
I hope some day you'll join us
And the world will be as one
Imagine no possessions
I wonder if you can
No need for greed or hunger
A brotherhood of man
Imagine all the people sharing all the world
You, you may say
I'm a dreamer, but I'm not the only one
I hope some day you'll join us
And the world will live as one
Lyrics:
Imagine there's no heaven
It's easy if you try
No hell below us
Above us only sky
Imagine all the people living for today
Imagine there's no countries
It isn't hard to do
Nothing to kill or die for
And no religion too
Imagine all the people living life in peace
You, you may say
I'm a dreamer, but I'm not the only one
I hope some day you'll join us
And the world will be as one
Imagine no possessions
I wonder if you can
No need for greed or hunger
A brotherhood of man
Imagine all the people sharing all the world
You, you may say
I'm a dreamer, but I'm not the only one
I hope some day you'll join us
And the world will live as one
Kategoria
Licencja
Standardowa licencja YouTube
18 lutego 2013
PAQUITA HUGHES - New York Film Academy Filmmaking Student
Opublikowano 18 lut 2013
Paquita Hughes spent 8 years in the Navy, and worked as an air traffic controller. She came to Los Angeles to to earn her degrees in Filmmaking and Photography at New York Film Academy.
Visit NYFA's Veterans Benefits site at:http://www.nyfa.edu/veterans/
Interested in learning Filmmaking, Acting, Producing, Photography, 3D Animation, Cinematography, Game Design, Documentary Filmmaking, Broadcast Journalism, Musical Theatre, Screenwriting, or Digital Editing? Visit http://www.nyfa.edu to find out how!
Visit NYFA's Veterans Benefits site at:http://www.nyfa.edu/veterans/
Interested in learning Filmmaking, Acting, Producing, Photography, 3D Animation, Cinematography, Game Design, Documentary Filmmaking, Broadcast Journalism, Musical Theatre, Screenwriting, or Digital Editing? Visit http://www.nyfa.edu to find out how!
Kategoria
Licencja
Standardowa licencja YouTube
17 lutego 2013
16 lutego 2013
Pink Floyd - The Wall (Full Album)
Opublikowano 9 cze 2012
NEW CHANNEL:
http://www.youtube.com/user/tvmoviesa...
Saucerful of Secrets is posted on the new channel:
http://www.youtube.com/watch?v=86HcWs...
PLEASE READ: I've received a copyright strike on one of my videos. To avoid getting any more (at least within the 6 month period after which YouTube may or may not remove the strike), I'm going to stop uploading from this account for the next 6 months. Instead I'm starting a second channel, with a link above. All current videos will not be taken down, but don't expect anything new.
Pink Floyd's The Wall
DISC 1
1. In The Flesh? - 0:00
2. The Thin Ice - 3:19
3. Another Brick in the Wall (Part I) - 5:34
4. The Happiest Days of Our Lives - 8:56
5. Another Brick in the Wall (Part II) - 10:31
6. Mother - 14:26
7. Goodbye Blue Sky - 19:50
8. Empty Spaces - 22:36
9. Young Lust - 24:39
10. One of My Turns - 28:05
11. Don't Leave Me Now - 31:33
12. Another Brick in the Wall (Part III) - 35:49
13. Goodbye Cruel World - 36:54
DISC 2
1. Hey You - 38:11
2. Is There Anybody Out There? - 42:44
3. Nobody Home - 45:36
4. Vera - 48:42
5. Bring the Boys Back Home - 50:08
6. Comfortably Numb - 51:33
7. The Show Must Go On - 57:46
8. In the Flesh - 59:20
9. Run Like Hell - 1:03:27
10. Waiting For the Worms - 1:07:45
11. Stop - 1:11:35
12. The Trial - 1:12:05
13. Outside the Wall - 1:17:17
http://www.youtube.com/user/tvmoviesa...
Saucerful of Secrets is posted on the new channel:
http://www.youtube.com/watch?v=86HcWs...
PLEASE READ: I've received a copyright strike on one of my videos. To avoid getting any more (at least within the 6 month period after which YouTube may or may not remove the strike), I'm going to stop uploading from this account for the next 6 months. Instead I'm starting a second channel, with a link above. All current videos will not be taken down, but don't expect anything new.
Pink Floyd's The Wall
DISC 1
1. In The Flesh? - 0:00
2. The Thin Ice - 3:19
3. Another Brick in the Wall (Part I) - 5:34
4. The Happiest Days of Our Lives - 8:56
5. Another Brick in the Wall (Part II) - 10:31
6. Mother - 14:26
7. Goodbye Blue Sky - 19:50
8. Empty Spaces - 22:36
9. Young Lust - 24:39
10. One of My Turns - 28:05
11. Don't Leave Me Now - 31:33
12. Another Brick in the Wall (Part III) - 35:49
13. Goodbye Cruel World - 36:54
DISC 2
1. Hey You - 38:11
2. Is There Anybody Out There? - 42:44
3. Nobody Home - 45:36
4. Vera - 48:42
5. Bring the Boys Back Home - 50:08
6. Comfortably Numb - 51:33
7. The Show Must Go On - 57:46
8. In the Flesh - 59:20
9. Run Like Hell - 1:03:27
10. Waiting For the Worms - 1:07:45
11. Stop - 1:11:35
12. The Trial - 1:12:05
13. Outside the Wall - 1:17:17
Kategoria
Licencja
Standardowa licencja YouTube
10 lutego 2013
Jacques Loussier Trio - Subway Köln 1998
Opublikowano 25 kwi 2012
Jacques Loussier Trio - Subway Köln 1998
DVD - http://rutracker.org/forum/viewtopic....
- Frühling (Antonio Vivaldi)
- Sommer (Antonio Vivaldi)
- Fuge Nr. 5 (Johann Sebastian Bach)
- Pastorale (Johann Sebastian Bach)
- Italienische Konzerte (Allegro / Adagio / Presto) (Johann Sebastian Bach)
Jacques Loussier - piano
Benoît Dunoyer de Segonzac - bass
André Arpino - drums
Subway Köln 1998, Germany
DVD - http://rutracker.org/forum/viewtopic....
- Frühling (Antonio Vivaldi)
- Sommer (Antonio Vivaldi)
- Fuge Nr. 5 (Johann Sebastian Bach)
- Pastorale (Johann Sebastian Bach)
- Italienische Konzerte (Allegro / Adagio / Presto) (Johann Sebastian Bach)
Jacques Loussier - piano
Benoît Dunoyer de Segonzac - bass
André Arpino - drums
Subway Köln 1998, Germany
Kategoria
Licencja
Standardowa licencja YouTube
Jacques Loussier Play Bach Trio - Jazzwoche Burghausen 2007
Opublikowano 25 kwi 2012
Jacques Loussier Play Bach Trio - Jazzwoche Burghausen 2007
DVD - http://rutracker.org/forum/viewtopic....
- Präludium Nr. 1 C-dur
- Pastorale c-moll
- Air
- Brandenburgisches Konzert Nr. 5 D-dur, 1. Satz
- Brandenburgisches Konzert Nr. 5 D-dur, 2. Satz
- Brandenburgisches Konzert Nr. 5 D-dur, 3. Satz
- Gymnopédie Nr. 1
- Boléro
- Cembalokonzert D-dur, 3. Satz
Jacques Loussier - piano
Dunoyer de Segonzac - bass
André Arpino - drums
38. Internationale Jazzwoche Burghausen, Germany, 2007
DVD - http://rutracker.org/forum/viewtopic....
- Präludium Nr. 1 C-dur
- Pastorale c-moll
- Air
- Brandenburgisches Konzert Nr. 5 D-dur, 1. Satz
- Brandenburgisches Konzert Nr. 5 D-dur, 2. Satz
- Brandenburgisches Konzert Nr. 5 D-dur, 3. Satz
- Gymnopédie Nr. 1
- Boléro
- Cembalokonzert D-dur, 3. Satz
Jacques Loussier - piano
Dunoyer de Segonzac - bass
André Arpino - drums
38. Internationale Jazzwoche Burghausen, Germany, 2007
Kategoria
Licencja
Standardowa licencja YouTube
Payphone - Maroon 5 cover - Beth
Opublikowano 6 maj 2012
ITUNES: http://tinyurl.com/8tdwb2m / AMAZON:http://tinyurl.com/8ncujpw
FACEBOOK: http://www.facebook.com/BethOfficial
Download my music or get a signed CD:http://www.BethOfficial.com
TWITTER: http://www.twitter.com/beth_official
Me singing Payphone by Maroon 5 and Wiz Khalifa. Please leave a comment and subscribe!
FACEBOOK: http://www.facebook.com/BethOfficial
Download my music or get a signed CD:http://www.BethOfficial.com
TWITTER: http://www.twitter.com/beth_official
Me singing Payphone by Maroon 5 and Wiz Khalifa. Please leave a comment and subscribe!
Kategoria
Licencja
Standardowa licencja YouTube
Rimsky-Korsakov: Scheherazade / Gergiev · Vienna Philharmonic · Salzbur
Opublikowano 3 mar 2012
Gran presentación de la Orquesta Filarmónica de Viena dirigida por Valery Gergiev, interpretando la famosa obra "Scheherazada" del compositor ruso Nikolai Rimsky-Korsavov, en el Festival de Salzburgo 2005.
Great presentation of Vienna Phiharmonic conducted by russian Maestro Valery Gergiev, playing the russian work "Scheherazade" of Nikolai Rimsky-Korsakov, at Salzburg Festival 2005.
(C) ZDF and all their respective owners. No personal work here.
Great presentation of Vienna Phiharmonic conducted by russian Maestro Valery Gergiev, playing the russian work "Scheherazade" of Nikolai Rimsky-Korsakov, at Salzburg Festival 2005.
(C) ZDF and all their respective owners. No personal work here.
Kategoria
Licencja
Standardowa licencja YouTube
ERICH FRIED - Was es ist
ERICH FRIED - Was es ist
| Was es ist Es ist Unsinn sagt die Vernunft Es ist was es ist sagt die Liebe Es ist Unglück sagt die Berechnung Es ist nichts als Schmerz sagt die Angst Es ist aussichtslos sagt die Einsicht Es ist was es ist sagt die Liebe Es ist lächerlich sagt der Stolz Es ist leichtsinnig sagt die Vorsicht Es ist unmöglich sagt die Erfahrung Es ist was es ist sagt die Liebe |  |
http://www.erichfried.de/Was%20es%20ist.htm
09 lutego 2013
Four Seasons ~ Vivaldi
Przesłano 30 sty 2011
From Rayle47:
For those who want to listen to specific movements
Spring 0:00
Summer 10:31
Autumn 20:59
Winter 32:48 I know it's kind of pointless to post this but I like this video and this is kind of like a bookmark for me to know where each movement is.
I guess my 60th video is bigger than I thought it would become. I plan to post more classical music in the future and start my channel up again.
For those who want to listen to specific movements
Spring 0:00
Summer 10:31
Autumn 20:59
Winter 32:48 I know it's kind of pointless to post this but I like this video and this is kind of like a bookmark for me to know where each movement is.
I guess my 60th video is bigger than I thought it would become. I plan to post more classical music in the future and start my channel up again.
Kategoria
Licencja
Standardowa licencja YouTube
06 lutego 2013
J.S. Bach: Mass in B minor "Agnus Dei" - Andreas Scholl
Przesłano 9 lip 2007
J.S. Bach:
Mass in B minor, BWV 232 "Agnus Dei"
In this video:
Andreas Scholl, countertenor
Collegium Vocale Gent,
Conducted by Philippe Herreweghe
Harmonia Mundi
In part from Wikipedia, the free encyclopedia:
"The Mass in B Minor is a musical setting of the Latin Mass. Although parts of the Mass in B Minor date to 1724, the whole was assembled in its present form in 1749, just before the composer's death in 1750.
...
Due to its length--over two hours of music--it was never performed as part of a church liturgy. The first performance seems to have been after Bach's death, when his son Carl Philipp Emanuel Bach performed the Gloria section (but not the entire Mass) in Berlin. Large-scale performances of the entire Mass in B Minor were not staged until the 19th century."
Latin Text:
Agnus dei
qui tollis peccata mundi
miserere nobis.
Translation:
Lamb of God,
who takes away the sins of the world,
have mercy upon us.
Mass in B minor, BWV 232 "Agnus Dei"
In this video:
Andreas Scholl, countertenor
Collegium Vocale Gent,
Conducted by Philippe Herreweghe
Harmonia Mundi
In part from Wikipedia, the free encyclopedia:
"The Mass in B Minor is a musical setting of the Latin Mass. Although parts of the Mass in B Minor date to 1724, the whole was assembled in its present form in 1749, just before the composer's death in 1750.
...
Due to its length--over two hours of music--it was never performed as part of a church liturgy. The first performance seems to have been after Bach's death, when his son Carl Philipp Emanuel Bach performed the Gloria section (but not the entire Mass) in Berlin. Large-scale performances of the entire Mass in B Minor were not staged until the 19th century."
Latin Text:
Agnus dei
qui tollis peccata mundi
miserere nobis.
Translation:
Lamb of God,
who takes away the sins of the world,
have mercy upon us.
Kategoria
Licencja
Standardowa licencja YouTube
Johann Sebastian Bach - Brandenburg Concertos, BWV 1046, 1047, 1048,
Opublikowano 3 kwi 2012
Notice: This video is only for cultural purposes.
About Brandenburg Concertos
The Brandenburg concertos by Johann Sebastian Bach (BWV 1046--1051, original title: Six Concerts à plusieurs instruments) are a collection of six instrumental works presented by Bach to Christian Ludwig, margrave of Brandenburg-Schwedt, in 1721 (though probably composed earlier). They are widely regarded as among the finest musical compositions of the Baroque era.
Bach's dedication to the Margrave was dated 24 March 1721. Most likely, Bach composed the concertos over several years while Kapellmeister at Köthen, and possibly extending back to his employment at Weimar (1708--17). The first sentence of Bach's dedication reads:
As I had the good fortune a few years ago to be heard by Your Royal Highness, at Your Highness's commands, and as I noticed then that Your Highness took some pleasure in the little talents which Heaven has given me for Music, and as in taking Leave of Your Royal Highness, Your Highness deigned to honour me with the command to send Your Highness some pieces of my Composition: I have in accordance with Your Highness's most gracious orders taken the liberty of rendering my most humble duty to Your Royal Highness with the present Concertos, which I have adapted to several instruments; begging Your Highness most humbly not to judge their imperfection with the rigor of that discriminating and sensitive taste, which everyone knows Him to have for musical works, but rather to take into benign Consideration the profound respect and the most humble obedience which I thus attempt to show Him.
The dedication page Bach wrote for the collection indicates they are Concerts avec plusieurs instruments (Concertos with several instruments). Bach used the "widest spectrum of orchestral instruments ... in daring combinations," as Christoph Wolff has commented. "Every one of the six concertos set a precedent in scoring, and every one was to remain without parallel." Heinrich Besseler has noted that the overall forces required (leaving aside the first concerto, which was rewritten for a special occasion) tallies exactly with the 17 players Bach had at his disposal in Köthen.
Because King Frederick William I of Prussia was not a significant patron of the arts, Christian Ludwig seems to have lacked the musicians in his Berlin ensemble to perform the concertos. The full score was left unused in the Margrave's library until his death in 1734, when it was sold for 24 groschen (as of 2008, about US$22.00) of silver. The autograph manuscript of the concertos was only rediscovered in the archives of Brandenburg by Siegfried Wilhelm Dehn in 1849; the concertos were first published in the following year.
In the modern era these works have been performed by orchestras with the string parts each played by a number of players, under the batons of, for example, Karl Richter and Herbert von Karajan. They have also been performed as chamber music, with one instrument per part, especially by (but not limited to) groups using baroque instruments and (sometimes more, sometimes less) historically-informed techniques and practice. There is also an arrangement for four-hand piano duet by composer Max Reger.
More about: http://en.wikipedia.org/wiki/Brandenburg_concertos
About Freiburg Baroque Orchestra
Freiburger Barockorchester (Freiburg Baroque Orchestra) is a German orchestra founded in 1987, with the mission statement: "to enliven the world of baroque music with new sounds". They are based in Freiburg im Breisgau, hence the name, and have recently started performed works by later composers such as Beethoven, Schubert and Weber as well as contemporary music.
The Freiburg Baroque Orchestra gave its first concert in 1987 and began touring abroad with a performance in Amsterdam in 1989 and first went to America in 1995. Today, half of the orchestra's concerts are performed abroad. The orchestra performs one-quarter of its concerts under guest conductors, such as Ivor Bolton, René Jacobs, Philippe Herreweghe or Trevor Pinnock.
The musicians chose Gottfried von der Goltz and Petra Müllejans from among their own numbers as musical directors. Both von der Goltz and Müllejans are violinists.
http://en.wikipedia.org/wiki/Freiburg_Baroque_Orchestra
Thanks all for the comments!!! My best regards.
About Brandenburg Concertos
The Brandenburg concertos by Johann Sebastian Bach (BWV 1046--1051, original title: Six Concerts à plusieurs instruments) are a collection of six instrumental works presented by Bach to Christian Ludwig, margrave of Brandenburg-Schwedt, in 1721 (though probably composed earlier). They are widely regarded as among the finest musical compositions of the Baroque era.
Bach's dedication to the Margrave was dated 24 March 1721. Most likely, Bach composed the concertos over several years while Kapellmeister at Köthen, and possibly extending back to his employment at Weimar (1708--17). The first sentence of Bach's dedication reads:
As I had the good fortune a few years ago to be heard by Your Royal Highness, at Your Highness's commands, and as I noticed then that Your Highness took some pleasure in the little talents which Heaven has given me for Music, and as in taking Leave of Your Royal Highness, Your Highness deigned to honour me with the command to send Your Highness some pieces of my Composition: I have in accordance with Your Highness's most gracious orders taken the liberty of rendering my most humble duty to Your Royal Highness with the present Concertos, which I have adapted to several instruments; begging Your Highness most humbly not to judge their imperfection with the rigor of that discriminating and sensitive taste, which everyone knows Him to have for musical works, but rather to take into benign Consideration the profound respect and the most humble obedience which I thus attempt to show Him.
The dedication page Bach wrote for the collection indicates they are Concerts avec plusieurs instruments (Concertos with several instruments). Bach used the "widest spectrum of orchestral instruments ... in daring combinations," as Christoph Wolff has commented. "Every one of the six concertos set a precedent in scoring, and every one was to remain without parallel." Heinrich Besseler has noted that the overall forces required (leaving aside the first concerto, which was rewritten for a special occasion) tallies exactly with the 17 players Bach had at his disposal in Köthen.
Because King Frederick William I of Prussia was not a significant patron of the arts, Christian Ludwig seems to have lacked the musicians in his Berlin ensemble to perform the concertos. The full score was left unused in the Margrave's library until his death in 1734, when it was sold for 24 groschen (as of 2008, about US$22.00) of silver. The autograph manuscript of the concertos was only rediscovered in the archives of Brandenburg by Siegfried Wilhelm Dehn in 1849; the concertos were first published in the following year.
In the modern era these works have been performed by orchestras with the string parts each played by a number of players, under the batons of, for example, Karl Richter and Herbert von Karajan. They have also been performed as chamber music, with one instrument per part, especially by (but not limited to) groups using baroque instruments and (sometimes more, sometimes less) historically-informed techniques and practice. There is also an arrangement for four-hand piano duet by composer Max Reger.
More about: http://en.wikipedia.org/wiki/Brandenburg_concertos
About Freiburg Baroque Orchestra
Freiburger Barockorchester (Freiburg Baroque Orchestra) is a German orchestra founded in 1987, with the mission statement: "to enliven the world of baroque music with new sounds". They are based in Freiburg im Breisgau, hence the name, and have recently started performed works by later composers such as Beethoven, Schubert and Weber as well as contemporary music.
The Freiburg Baroque Orchestra gave its first concert in 1987 and began touring abroad with a performance in Amsterdam in 1989 and first went to America in 1995. Today, half of the orchestra's concerts are performed abroad. The orchestra performs one-quarter of its concerts under guest conductors, such as Ivor Bolton, René Jacobs, Philippe Herreweghe or Trevor Pinnock.
The musicians chose Gottfried von der Goltz and Petra Müllejans from among their own numbers as musical directors. Both von der Goltz and Müllejans are violinists.
http://en.wikipedia.org/wiki/Freiburg_Baroque_Orchestra
Thanks all for the comments!!! My best regards.
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05 lutego 2013
BWV 988 - Goldberg Variations (Scrolling)
Opublikowano 11 kwi 2012
Performer & Album Info - 1:03:14
Aria: [0:35] / Var 1 - [3:10] / Var 2 - [5:23] / Var 3 - [7:00] / Var 4 - [8:06] / Var 5 - [9:11] / Var 6 - [10:53] / Var 7 - [12:40] / Var 8 - [13:32] / Var 9 - [15:20] / Var 10 - [17:02] / Var 11 - [18:42] / Var 12 - [20:51] / Var 13 - [23:35] / Var 14 - [26:12] / Var 15 - [28:12] / Var 16 - [31:00] / Var 17 [33:41] / Var 18 - [34:38] / Var 19 - [36:19] / Var 20 - [37:52] / Var 21 - [39:53] / Var 22 - [42:24] / Var 23 - [43:55] / Var 24 - [46:07] / Var 25 - [47:53] / Var 26 - [52:20] / Var 27 - [54:37] / Var 28 - [55:42] / Var 29 - [56:50] / Var 30 - [58:01] / Aria da Capo [1:00:18]
Aria: [0:35] / Var 1 - [3:10] / Var 2 - [5:23] / Var 3 - [7:00] / Var 4 - [8:06] / Var 5 - [9:11] / Var 6 - [10:53] / Var 7 - [12:40] / Var 8 - [13:32] / Var 9 - [15:20] / Var 10 - [17:02] / Var 11 - [18:42] / Var 12 - [20:51] / Var 13 - [23:35] / Var 14 - [26:12] / Var 15 - [28:12] / Var 16 - [31:00] / Var 17 [33:41] / Var 18 - [34:38] / Var 19 - [36:19] / Var 20 - [37:52] / Var 21 - [39:53] / Var 22 - [42:24] / Var 23 - [43:55] / Var 24 - [46:07] / Var 25 - [47:53] / Var 26 - [52:20] / Var 27 - [54:37] / Var 28 - [55:42] / Var 29 - [56:50] / Var 30 - [58:01] / Aria da Capo [1:00:18]
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